{"id":634,"date":"2024-10-12T06:50:01","date_gmt":"2024-10-12T09:50:01","guid":{"rendered":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/?page_id=634"},"modified":"2024-10-12T12:33:57","modified_gmt":"2024-10-12T15:33:57","slug":"boletim-phatos-05","status":"publish","type":"page","link":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/boletim-phatos\/boletim-phatos-05\/","title":{"rendered":"Boletim PH\u00c1TOS #05"},"content":{"rendered":"
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#05 – OUTUBRO 2024<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]\n

EDITORIAL<\/h3>\n[\/vc_column_text][vc_empty_space][vc_column_text css=””]\n

Julia Solano (EBP\/AMP)<\/em><\/h6>\n

Inicio o editorial dessa \u00faltima edi\u00e7\u00e3o regular do P\u00e1thos com uma fala de Christiane Alberti retomada por Marcelo Magnelli h\u00e1 alguns meses atr\u00e1s, a prop\u00f3sito das nossas jornadas.\u00a0 \u201cEu proponho considerar que o desafio das jornadas de uma Escola \u00e9 que ela transmita algo como a alegria significante do inconsciente, o gosto pela an\u00e1lise e o desejo de an\u00e1lise.\u201d<\/p>\n

>Decidi retomar a fala de Alberti nesse \u00faltimo editorial por acreditar que ela reflete bem o esp\u00edrito que orientou as prepara\u00e7\u00f5es para estas jornadas. Este boletim surge a\u00ed como um produto dessas prepara\u00e7\u00f5es que consistiram em um verdadeiro trabalho de escola. O P\u00e1thos foi eminentemente sustentado por produ\u00e7\u00f5es de membros da Se\u00e7\u00e3o Bahia, membros da AMP, participantes do N\u00facleo da Pol\u00edtica da Nova Juventude e associados do IPB; enfim, um coletivo de pessoas que uniu-se em torno do tema das nossas jornadas, lan\u00e7ando-se ao trabalho. As produ\u00e7\u00f5es veiculadas aqui, apesar de resultantes dessa apaixonada discuss\u00e3o entre v\u00e1rios, n\u00e3o impediram de fazer ressoar a singularidade de cada autor que, a sua maneira, nos introduziu sua perspectiva sobre as Paix\u00f5es do Falasser. O que resta disso \u00e9 o desejo de saber e entusiasmo que agora nos impulsiona a dar continuidade a esse trabalho nos dias 25 e 26\/10, nas jornadas![\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Feditorial-phatos-05%2F|title:Editorial%20Boletim%20PH%C3%81TOS%20%2304″][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”614″ css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]\n

LETRAS<\/h3>\n[\/vc_column_text][vc_empty_space][vc_column_text css=””]Uma interpreta\u00e7\u00e3o inesperada<\/strong><\/p>\n
Rosa L\u00f3pez AME (ELP\/AMP)<\/em><\/h6>\n
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Ela havia finalizado sua an\u00e1lise fazia tempo e ele era apenas um menino. Ambos eram felizes brincando. Inventavam hist\u00f3rias nas quais, al\u00e9m das palavras, colocavam o corpo. O pequeno homem sublimava a puls\u00e3o s\u00e1dica, ela ria e com gosto acompanhava o jogo. As pistolas n\u00e3o paravam de disparar e as trincheiras, feitas com almofadas, eram assaltadas a m\u00e3o armada at\u00e9 que um dos dois se dava por vencido, depois de ter sido morto v\u00e1rias vezes.<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Fuma-interpretacao-inesperada%2F|title:Editorial%20Boletim%20PH%C3%81TOS%20%2301″][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”615″ css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]Corpos Afetados<\/strong><\/p>\n
Anal\u00edcea Calmon AME (EBP\/AMP)<\/em><\/h6>\n
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Para tratar dos afetos em rela\u00e7\u00e3o ao corpo, remeto-me ao seguinte enunciado de Lacan, no Semin\u00e1rio 20: \u201cO real \u00e9 o mist\u00e9rio do corpo falante; \u00e9 o mist\u00e9rio do inconsciente\u201d. E para come\u00e7ar a elucidar esta frase, recorro a uma interroga\u00e7\u00e3o de Graciela Brodsky, em seu livro Pasiones Lacanianas<\/em>:<\/div>\n<\/div>\n<\/div>\n

– Qual \u00e9 a novidade do corpo falante?[\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Fcorpos-afetados%2F|title:Paix%C3%B5es%20do%20falasser%20%E2%80%93%20mortific(a)r%20ou%20vivific(a)r|target:_blank”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”616″ css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]Fict\u00edcios<\/strong><\/p>\n

Luiz Felipe Monteiro (EBP\/AMP)<\/em><\/h6>\n
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\u201cMe apaixonei pela primeira vez<\/em>\u201d. Sem mais.<\/div>\n<\/div>\n<\/div>\n

Assim, B. come\u00e7a esse per\u00edodo de dez escutas.\u00a0 A paix\u00e3o a fez sentir-se bem e, ao mesmo tempo, a pegou pelo avesso. \u00c9 quando, meio confusa, B. come\u00e7a a dizer como emagreceu e como isso \u00e9 contradit\u00f3rio para ela.<\/p>\n

“As pessoas dizem que eu pare\u00e7o feliz s\u00f3 porque eu fiquei magra<\/em>\u201d. N\u00e3o \u00e9 o caso dela n\u00e3o estar bem, \u00e9 que tal felicidade n\u00e3o passa exatamente pelo olhar do outro e pela demanda por um corpo magro.[\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Fficticios%2F|title:Um%20Caminho%20para%20o%20Inconsciente%20Real|target:_blank”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”617″ css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

P\u00cdLULAS<\/h3>\n[\/vc_column_text][vc_empty_space][vc_column_text css=””]O que dizer das paix\u00f5es do falasser?<\/strong><\/p>\n
Iordan Gurgel (AME EBP\/AMP)<\/em><\/h6>\n[\/vc_column_text][vc_empty_space][vc_single_image image=”622″ onclick=”custom_link” img_link_target=”_blank” css=”” link=”https:\/\/youtu.be\/XGUvMKbcCkg”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]\n

RASTROS<\/h3>\n

Cada Segundo Conta<\/strong><\/p>\n

Graziela Pires- IPB<\/em><\/h6>\n
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Pensar as paix\u00f5es do ser e as paix\u00f5es da alma, integrando-as \u00e0 cultura contempor\u00e2nea, revelou-se um desafio, n\u00e3o s\u00f3 pela complexidade do tema, mas tamb\u00e9m porque essa provoca\u00e7\u00e3o parece cintilar em cada janela que se abre no cotidiano, presente em todo lugar e, ao mesmo tempo, em nenhum. Para compor este texto, escolhi me inspirar na s\u00e9rie O Urso<\/em>, que acabara de assistir, ainda sob os efeitos do entusiasmo que as v\u00e1rias camadas de sua narrativa me despertaram. A s\u00e9rie se revelou como um mosaico constru\u00eddo a partir da fotografia, dos sabores, das trilhas sonoras e dos personagens, que v\u00e3o se revelando ao longo dos epis\u00f3dios em tons de azul, uma marca que se repete como um efeito que afeta profundamente ao longo das temporadas.<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Fcada-segundo-conta%2F|title:Um%20grito%20sobre%20a%20ang%C3%BAstia|target:_blank”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”618″ css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””]H\u00e1 vida na dor inomin\u00e1vel<\/strong><\/p>\n
J\u00falia Jones – IPB<\/em><\/h6>\n
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Chico Buarque, que desde o in\u00edcio da sua carreira se manteve atento aos efeitos dos afetos nos sujeitos em suas rela\u00e7\u00f5es amorosas, pol\u00edticas e sociais, utiliza a arte para prestar uma homenagem a Zuzu Angel. Zuzu, que era uma ativista contra a ditadura militar no Brasil e j\u00e1 reconhecida internacionalmente pelo seu trabalho com moda, passou a se ocupar da procura do seu filho, Stuart Jones, que, por muitos anos, foi noticiado como desaparecido.<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space][vc_btn title=”Leia mais” color=”black” size=”xs” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Fha-vida-na-dor-inominavel%2F|title:Um%20grito%20sobre%20a%20ang%C3%BAstia|target:_blank”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”619″ css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

FUROS<\/h3>\n

A paix\u00e3o de Buba<\/strong>[\/vc_column_text][vc_empty_space][vc_single_image image=”621″ onclick=”custom_link” img_link_target=”_blank” css=”” link=”https:\/\/youtu.be\/Z4Y4C4vdxeE”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”633″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”” link=”https:\/\/youtu.be\/Z4Y4C4vdxeE”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

ACONTECER\u00c1 NAS JORNADAS<\/h3>\n[\/vc_column_text][vc_empty_space][vc_single_image image=”620″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”” link=”https:\/\/youtu.be\/S4Fb2b4zNBg?si=YBQM-zJN8gLyZpsr”][vc_empty_space][vc_column_text css=””]Conversa com Patr\u00edcia Melo<\/strong><\/p>\n

Ocorrer\u00e1 no dia 26\/10, \u00e0s 12 hs, durante as jornadas. Neste bate papo, Patr\u00edcia falar\u00e1 sobre o seu livro Mulheres Empilhadas, livro este que toca no tema das paix\u00f5es a partir de assuntos como \u00f3dio e feminicidio. N\u00e3o perca!<\/p>\n

Patr\u00edcia Melo<\/strong>\u00a0Neschling<\/strong>\u00a0\u00e9 uma escritora, roteirista, dramaturga e artista pl\u00e1stica\u00a0brasileira, aclamada como uma das principais vozes contempor\u00e2neas da literatura no Brasil. Seus livros costumam ser associados ao g\u00eanero policial, embora a autora rejeite o r\u00f3tulo, preferindo classific\u00e1-los como fic\u00e7\u00e3o urbana.<\/p>\n

Estreou na literatura em 1994, com\u00a0Acqua Toffana<\/em>, e ganhou, em 2001, o\u00a0Pr\u00eamio Jabuti de Literatura\u00a0pelo romance\u00a0Inferno<\/em>, al\u00e9m de ter sido contemplada em diversas premia\u00e7\u00f5es internacionais. Em 1999, foi inclu\u00edda pela revista\u00a0Time<\/em>\u00a0entre os cinco melhores autores latino-americanos do novo mil\u00eanio.[4]\u00a0Suas obras tiveram os direitos vendidos para\u00a0Inglaterra,\u00a0Fran\u00e7a,\u00a0Estados Unidos,\u00a0Alemanha,\u00a0It\u00e1lia,\u00a0Espanha\u00a0e\u00a0China, entre outros pa\u00edses.<\/p>\n

Seus livros mais recentes s\u00e3o\u00a0Mulheres empilhadas<\/em>\u00a0(2019) e\u00a0Menos que Um<\/em>\u00a0(2022).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”632″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”” link=”https:\/\/youtu.be\/S4Fb2b4zNBg?si=YBQM-zJN8gLyZpsr”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]\n

INSCRI\u00c7\u00d5ES<\/h3>\n

\u00daltimas vagas! Corra pra se inscrever!<\/h3>\n[\/vc_column_text][vc_empty_space][vc_raw_html 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title=”INSCRI\u00c7\u00d5ES” color=”sky” size=”lg” align=”center” css=”” link=”url:https%3A%2F%2Febpbahia.com.br%2Fjornadas%2F2024%2Finscricoes%2F|title:Inscri%C3%A7%C3%B5es”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1715165963575{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #000000 !important;}”][vc_column][vc_single_image image=”139″ css=””][vc_column_text css=””]\n

Diretor Se\u00e7\u00e3o<\/strong> – Luiz Felipe Monteiro | Diretora do IPB<\/strong> – Analicea Calmon<\/span><\/p>\n

Coordenador Geral da Jornada<\/strong> – Iordan Gurgel<\/span><\/p>\n

Coordenador da Comiss\u00e3o de Comunica\u00e7\u00e3o<\/strong> – Marcelo Magnelli<\/span><\/p>\n

Comiss\u00e3o de Boletim:<\/strong> Julia Solano(Coord.), Luiz Mena, Claudio Melo, Graziela Vasconcelos,<\/span>
\nGuacira Cavalcanti, Kleyanne Lima, Liliane Sales, Mar\u00edlia Santiago.<\/span><\/p>\n

Cria\u00e7\u00e3o e Editora\u00e7\u00e3o:<\/strong> Bruno Senna – sennabruno@gmail.com<\/a><\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_single_image image=”138″ css=””][vc_empty_space][vc_column_text css=””] #05 – OUTUBRO 2024 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”mulled_wine” css=””][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=””] EDITORIAL [\/vc_column_text][vc_empty_space][vc_column_text css=””] Julia Solano (EBP\/AMP) Inicio o editorial dessa \u00faltima edi\u00e7\u00e3o regular do P\u00e1thos com uma fala de Christiane Alberti retomada por Marcelo Magnelli h\u00e1 alguns meses atr\u00e1s, a prop\u00f3sito das nossas jornadas.\u00a0 \u201cEu proponho considerar que o desafio das jornadas…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":54,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/no-sidebar.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-634","page","type-page","status-publish","hentry","entry","no-media"],"_links":{"self":[{"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/pages\/634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/comments?post=634"}],"version-history":[{"count":4,"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/pages\/634\/revisions"}],"predecessor-version":[{"id":642,"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/pages\/634\/revisions\/642"}],"up":[{"embeddable":true,"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/ebpbahia.com.br\/jornadas\/2024\/wp-json\/wp\/v2\/media?parent=634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}